I was a little leary of the fixed focus, but the depth of field is quite good.The assortment of mounting hardware will allow me to attach it to the boom of my sailboat for good action shots.once you get used to the menu access and sequence it is fairly easy to set up, even though there are a multitude of manual adjustments.I will probably leave it on auto for most scenarios, but it is nice to be able to compensate for unusual scenes, like shade and backlighting.one thing I would improve is the W/P release latch.I would add a groove or lip that you could get fingernails on.Overall I'm quite happy with it so far.

For around fifty quid this is a decent little travel ‘scope. The main tube is aluminium, the objective lens is an air spaced doublet, and its dual photo-tripod / dovetail mount will also allow it to fit on a proper astronomical equatorial mounting. Throw in a backpack, a couple of eyepieces, an erecting prism and a tripod and you have an excellent value package.The bundled eyepieces are considerably better than expected for the money and give x40 and x20 magnifications (10mm and 20mm respectively). The rack & pinion focuser and the objective lens mount unfortunately are both made of plastic. The tripod is wobbly when the legs are extended and the pan/tilt head is not the smoothest I’ve seen - but it is better than nothing and you can always buy a decent photographic tripod or even a proper equatorial mount later. The optics of this package may not be perfect but they are fine for direct visual use - offering sharp detail, low colour fringing and fairly wide flat-field views. Whilst perfectly usable as a spotter, you should note that the 'scope is not weather-proof.I bought this on a whim – interested to see whether it might be usable as a telephoto lens. Where else are you going to find a new 400mm f5.7 lens for this money? Out of the box, the ‘scope seems reasonably sturdy (tripod excepted). For direct visual use, the image quality it offers is very respectable and much better than any of the half-dozen sub £100 spotters that I have to hand. As a telephoto lens, however, it suffers from low contrast due to internal light scatter from the side-walls, a lack of ultimate sharpness from optical misalignment, evident edge of frame focus-softening (due to field curvature) when using large sensors (APS-C or larger), and of course, from the curse of all refractors: chromatic aberration.Here’s a quick dissection of the product - as delivered …T-MountThe handbook doesn’t even bother to mention it – but the outside of the eyepiece holder is threaded. If you have a T-mount adapter for your camera then you can mount your dslr etc directly on the back of the ‘scope for prime focus photography.Rotatable eyepiece mountThe eyepiece mount is a screw-fit onto the chromed focuser tube (both are plastic, sadly) and has an associated locking collar – together these features allow you to square-up any attached camera without having to fiddle with a T-mount’s grub screws.Adjustable pressure plate on the focus tube:A knurled screw at the back of the plastic focuser housing allows you to softly clamp the focuser tube in place (to prevent inadvertent focus shifts). The chromed plastic focuser tube slides smoothly in its guides and, with very little backlash in the rack and pinion, offers precise and easy focusing.Focus travel:For visual use (20mm eyepiece plus erector prism) the closest focus is about 13ft from the front of the scope. The focuser tube has about 70mm of available travel - and the point of focus lies about 50mm outside of the fully racked-out eyepiece holder. Notice that this means that you cannot focus the scope when using eyepieces alone (for traditional inverted astro views), the erector prism (or an eyepiece extension tube) is essential to provide an adequate optical path length to give a focused image. The scope, however, readily allows infinity focus with a dslr on a T-mount (tried with Pentax and Olympus dslrs) – though with mirrorless compact system cameras extension tubes may be required to compensate for their shorter lens-mount to sensor distance. With a heavy camera, however, to reduce the extent of ‘rack-out’ of the focuser and the consequent strain on the thin plastic focuser tube, I'd advise the use of a camera-extension T-tube. Extension tubes have the added advantage of enabling closer focus.Eyepieces:The eyepieces have standard astronomical 1.25 inch push-fit mountings – with real, chromed-metal, nose-pieces. The 20mm eyepiece is a three element inverse Kellner (I’ve not taken the 10mm one apart yet!). It offers a very respectable image: geometric distortion is not excessive and sharpness is good across the claimed 50-degree apparent field of view. The 10mm eyepiece is ok – but the apparent field of view is noticeably less than that of the 20mm one.Lens Cap:The supplied lens cap is a two piece item – offering the option of viewing through a central aperture of about 42mm in diameter (effectively reducing the scope’s aperture from f5.7 to about f9.5) … handy for looking at bright targets. The restricted aperture also has the useful side-effect of reducing chromatic fringes. This smaller aperture, however, causes a degree of vignetting - so that photographs darken towards the edges and corners of the frame when using 4/3rds and larger sensors. For smaller sensors (e.g. ¼ or 1/3 inch web-cams or CCTV cameras) this is not a problem.Alignment:The optical axis of the focuser is out of alignment with the centre of the objective’s mounting (by about 4mm in my case) and it shifts as you tighten the focus tube clamp screw.No collimation or centring adjustments are provided.Moulding ‘flash’ in the lens holder and on the lens retaining collar means the objective lens is not squarely seated or evenly clamped.Contrast:The objective lens is not edge-blackened so image contrast is lower than it could be.The lens retaining collar is polished and reflects general glare down into the scope.The inner barrel of the eyepiece mount is polished plastic (very bad - if using a T-mount for prime focus photography).The push-on lens hood is too short to offer much protection from stray off-axis light.The internal baffles and the smooth matt black painted interior are of only limited effectiveness in controlling light scatter.Field curvature limits the scope’s photographic (prime focus) usefulness to small sensor cameras (4/3rds or smaller).Mechanical:A heavy camera attached to a 1.25 inch push-fit adapter (e.g. for eyepiece projection) would be in serious peril of falling to the ground because the plastic eyepiece holder has only two, small, eyepiece-securing screws. Only the T-mount option offers adequate mechanical security to an otherwise unsupported camera.Some simple suggestions for DIY Improvements (this is for dedicated tweakers only):Please note – implementing some of the following suggestions will invalidate your guarantee … so proceed at your own risk.1 - Fit a longer lens hood:Non image forming light, bouncing off the interior of the scope, floods your camera’s sensor with useless illumination – sapping colour-saturation and contrast from the scene. This is less problematic with direct visual observation (or photography through an eyepiece) - as the eyepiece’s restricted field of view shuts out some of this indirect light. A camera’s naked sensor, on the other hand, has an extremely wide field of view, it can ‘see’ the illuminated side-walls just as well as it can see the direct image-forming light from the lens, so considerable pains should be taken to prevent indirect light falling on it. The simplest and least invasive improvement would be to extend the length of the plastic lens hood using a tube of (black) cardboard … 12 inches or so should work wonders.2 - Line internally with velvet or felt:The interior of the narrow bore focuser tube is particularly prone to scattering off-axis light and funnelling it down towards the camera’s sensor. Black felt is a good lining material though the best absorption of stray light is obtained with velvet. The front half of the main tube will also benefit from a lining of black cloth.3 - Insert an eyepiece’s nose-piece (for prime focus photography):The inner barrel of the eyepiece holder is polished plastic – it reflects light easily and for prime focus photography this needs to be tamed. The simplest solution is to borrow the chrome nose-piece from one of your eyepieces, line it with felt and fit an O-ring over one end. The O-ring will stop the nose-piece falling into the ‘scope and damaging the objective lens. The O-ring will also block the sliver of light that squeezes through the gap between the outside of the nose-piece barrel and the inside of the eyepiece holder.4 - Remove mould flash from the lens mount and retaining ring:The objective lens sits on a ring moulded into the plastic lens holder and is then clamped in place by the screw-in front retaining ring. Both the seating ring and the retaining ring show slight moulding ‘flash’. This needs to be removed. Use a small craft knife to scrape away the excess plastic from the lens mounts – to provide a level seating surface and an evenly-distributed retaining-pressure for the lens. When reassembling, the retaining ring should be tightened only just enough to stop the lens rattling within the mount … excessive and uneven pressures will cause the lens-pair to distort.5 - Black-edge the objective lensThe matt-ground edge of the objective lens scatters non image forming light into the ‘scope. The lens is a doublet:: a pair of lenses separated (and held together) by three small plastic wedges sandwiched between the front and rear elements. You can remove the lens-pair from its mount (taking care not to separate the two elements) by unscrewing the front retaining ring. Cleanliness is vital - handle the lens only with soft glass-cleaning cloths or cotton gloves. Use a black permanent marker pen to blacken the edges of the lens pair. Note – the thinner of the two lenses is the outermost one – so reassemble accordingly.6 - Paint the lens retaining ring matt black:The lens retaining ring has a smooth polished inner surface which reflects stray light down into the scope. Line it with felt or paint it matt black.7 - Collimate:Although no collimation adjustments are provided there are a couple of simple things that can be done to improve the scope’s optical alignment. You will need a laser collimator for this – available on Amazon from around £20. If you fit the collimator in place of an eyepiece, its beam will partly bounce-back from each of the air-glass surfaces of the lens. Three reflections should be seen in the collimator’s window (four - if you are extremely unlucky) – they will not be narrow pinpoints as they are reflecting from quite highly curved surfaces. Ideally, however, all the reflections should centre on the laser’s exit aperture in the middle of the collimator’s screen. You will be lucky indeed to have three such centrally co-located reflections. In my case, initial tests showed only one reflection on the collimator’s screen … the other two were so far off-axis that the reflected beams didn’t even make it back into the eyepiece holder!7.1 - Align the Axes of the Focuser and the Main Tube:To see how far out of ‘true’ the axis of the focuser is with that of the main tube try the following test. On a thin sheet of paper, scribe a circle with a drawing compass. The scribed circle needs to be exactly the same diameter as the outside of the main tube. Remove the lens hood and the objective lens-holder then temporarily tape or glue the paper circle over the open end of the main tube - ensuring that the rim of the tube lies exactly on top of the scribed circle. The pinprick on the paper (caused by the compass) will then lie on the central axis of the main tube. Fit the laser into the eyepiece holder and switch on. The distance between the central pinprick and the laser spot shows just how far out of alignment the focuser is with respect to the main tube.If the laser beam lands on the centre of the scribed circle, consider yourself lucky. If, however, the laser spot is far adrift from the scribed circle’s centre point then you can try the following tweaks: Remove the three screws that fix the focuser to the main tube. Rotate the whole focuser assembly and see whether the laser spot moves towards the centre of the paper circle. I was fortunate; I found that I only needed to rotate the entire focuser unit by one screw-hole (i.e. by 120 degrees) to obtain a reasonably centralised laser spot. If you find that an intermediate degree of rotation gives the best result, you can bore three new pilot holes in the focuser’s plastic body – to accept the original retaining screws. More drastic remedies include elongating the three screw holes in the main tube - allowing the entire focuser to be 'wiggled' into alignment.7.2 - Centre the Objective Lens:The objective lens is a loose fit in its holder – there is perhaps a millimetre or so of lateral rattle-room to play with. Having first aligned the focuser’s axis with that of the main tube, you may then care to try moving the lens from side to side, within its holder, to try to make the multiple laser reflections all fall on the centre of the collimator’s screen. This needs to be done with the scope pointing vertically up - and the lens clamping ring removed. There may not be sufficient ‘free play’ available within the lens mount to achieve perfectly returned reflections – but, as in the case of the focuser unit, you can also try rotating the entire lens mount by 120 or 240 degrees to improve the degree of coincidence of the multiple laser-spot reflections. The reflections test is extremely sensitive and the simple the act of tightening the eyepiece retaining screws to clamp the laser will cause large shifts in the positions of the returning laser spots – so don't be overly concerned with precise spot locations … just getting them all onto the laser's target screen is achievement enough.None of the above suggestions should be regarded in any way as condemnation of the 'scope. As a visual scope for spotting or simple astronomical viewing, the compromises of design and construction have been well chosen by the manufacturer and, straight out of the box, it performs much better than its modest price tag might suggest. Asking it to perform in more demanding photographic applications, however, shows the need for better control of stray light. Fortunately these simple mods are well within the capability of anyone raised in the ‘Blue Peter’ school of diy – and tackling them should reward you with a more versatile and better performing bit of optical kit.I give it five stars – for its value for money – and for the ease with which inveterate diy-ers (like me) can have a go at pushing its performance towards the limits of its theoretical capability.

this is my second EF 50mm lens. My first one is has the plastic mount. This one is much quieter and auto focus faster

It is not a very expensive webcam but is works well and is very sharp. It has a fixed focus lens, but it is very sharp and the colors are very true. I highly recommend this one.

This is my first fixed lens. I can't tell you how close I came to returning it. I just couldn't get along with it.However, reading about how much people love this lens, I figured whatever was wrong was probably my fault...and it was. I simply was not accustomed to the fixed length and the depth of field.The colors and clarity are great...once the photographer learns how to use it. While this will never be my go-to lens (I like wider views), it's nice to know I have this as a choice. I've attached a photo here, but I doubt the quality will show through here on Amazon reviews.

I have to hand it to canon. The M3 is fantastic. I used to be impressed with the T3i and the SL1, but the image quality of the m3 is the best canon camera I have owned. The body is compact, and has an excellent and intuitive layout. The Fold out screen is great for high or low shots including (shudders) Selfies. The best part of the camera, is that with a few inexpensive adapters, I can use nearly any lens ever made. It has revived my relationship with my old manual focus lenses. I have even started perusing thrift shops and have struck gold, finding 2.8 and faster lenses for less than the price of a good burger. Heres what I like and don't like about the camera.Pros:- small size,- good button layout for quick access to most used items - exposure compensation, manual focus zooming,- solid build construction- Wireless image transfer to Iphone ( no wifi network required, but wifi on phone needs to be on)- rapid shutter response times 3 times faster than SL1.- ability to adapt manual focus lenses without extra glass ( FD mount, Nikon mount, pentax mount, screw mount)- Amazing image quality- Focus Peaking when manual focusing is spot on.- Half the size of the SL1- Large screen is easy to see and does reasonably in the sun.Cons- slow focusing with USM and Standard Focus motor lenses (all older technology) I was really disappointed, but not surprised. The hybrid focus system used with the M3 is better geared toward STM system lenses. You will notice a difference compared to just about any of canon's other SLRs and it may be due to the adaptor.- slow start times - 2x as long as the SL1- adapters needed for everything - you need them for every kind of lens you mount to them. the canon eos to M adapter is 200$, the Photodiox one is excellent for 40$- sometimes it's too small. the menu button gets pressed a lot if I am using a large lens.- Heavy. - is half the size of the SL1 and weighs just as much even though it has less going on inside. but is made out of better material.- Screen does well in the sun but can be difficult to see if there is glare.Overall this camera is 4 out of 5 stars. It is everything I wanted from canon except speed.Image included to show the incredible detail and color. It was shot with a 55-250 IS lens with no post processing.

Great lens. Now has a metal mount, quieter and closer focus but still a reasonable price. The pictures are SHARP! Nice bokeh. Focus is good but not perfect. Wish Canon would give us more primes for this price range. I has a 50mm F1.4 a few years back and I like this one more.

It is pretty helpful to mount any EF lens with my Canon M50 and there is no change in Auto focus and image stabilization which is too good...