I got these to use with my Helios 44M-4 vintage lens, which has a 52mm filter thread. They have a slightly blue color tint which is so barely noticeable that I had to use do comparisons with an RGB parade in Adobe Premiere to see it (I got these for video), although it seems to be worse with the darker filters. It's hard to complain about at this price, and it's the sort of thing that can easily be mitigated with manual white balance. I also haven't noticed any artifacts in the bokeh, like the squiggly lines you sometimes get with cheap plastic filters. Overall, I would say this is a good low-budget solution.

I have a pretty significant number of components in my DSLR kit (as listed below) and this bag proved to have adequate space for all the components, with SPACE LEFT FOR MORE!List of components that found a place in this bag:1) Nikon D3300 dslr2) Nikon AF-P 18-55mm Kit lens3) Nikon AF-S 50mm Prime lens4) Nikon AF-P 70-300mm Telephoto lens5) HB-N106 Bayonet Lens hood (for kit lens)6) HB-47 Bayonet Lens hood (for prime lens)7) HB-77 Bayonet Lens hood (for telephoto lens)8) Altura professional dslr cleaning kit (including blower, lens pen, lens brush, lens cleaner bottle and microfiber cloths)9) 1 pc. ND2-ND400 variable ND filter with case10) 1pc. 55mm to 58mm step up filter adapter11) USB OTG Smart card reader12) Mobile OTG cable13) DSLR battery charger14) Nikon WU-1a WiFi adapter for Nikon DSLR15) 1 spare Memory cardAnd trust me when I say this that if organized properly, this bag can still fit a couple of more lenses (I can still fit 1 telephoto lens and 1 prime lens). Refer to my attached photo for evidence.There is provisions to attach my tripod (Snapgear 50inch foldable) at the exterior side of the bag, but I would not use that since it wkuld make it extremely difficult to swing the bag from my back to front (using the sling function) when I need quick access to my camera.Pros:a) This bag is smaller than it looksb) has more space than I need to fit all of abovec) Is extremely well padded from all sidesd) Dividers are of good quality and completely customizable (i.e. we can fix them at any position inside the bag as per our requirement).Still, I took a star away for the following reasons.Cons:a) not water-proofb) No water-proof cover provided eitherc) Chains are of acceptable (but not excellent) quality...felt like needs to be handled with care.

I got this lens a while a go...the first copy was defected but the second one was the right one....is very sharp considering that is not L series...but the focusing system is very fast...I can focus almost instantaneously...is fantastic considering the fact that is 4-5.6 lens....for everyday shots is very good...I was debating between the version of 70-300 L and this one and I'm glad that that i choose this one...considering the price.... now compared to the 70-300 Nikon version is faster and sharper without doubts,, i have Nikon and canon full frames and regarding to the 70-300 range...this canon beat the Nikon one....for sure...

Part 1 - Minolta MD to Sony NEX adapterTechnically, it slightly overshoots infinity but the issue is easily corrected by dialing back the focus ring just a tad --- Not exact but clearly better than not-at-all.Although very light due to extensive aluminum usage, the build quality and fit-and-finish of the adapter is superb. Connections on the lens and camera mount sides are tight and precise --- absolutely, zero slop. The top of the lens release button is flattened making the lens removal process very easy and comfortable.Other notes:- There are no electrical connections so focus and zoom must be done manually on the lens itself- When mounting the lens, turn the adapter clockwise till you hear a "click"- Tested with a Minolta 85mm f/1.7 Rokkor-X MD lens mounted to a Sony a6000 camera-----------------------Part 2 - Nikon Ai to Sony NEX adapterEdit: Based on my positive experience with the Minolta MD adapter, I also purchased the Nikon Ai adapter later.As with the Minolta MD adapter, the Nikon Ai version focuses beyond infinity a tiny bit. Fortunately, the same solution applies - dial back the focus ring and the horizon will become crystal clear. The build quality is impeccable and the finish is smooth and clean of burrs or machine marks. Connections on both sides are taut and precise with zero play.Additional notes for Nikon Ai adapter:- No electrical connections present so focus and zoom must be done manually on the lens.- Unlike the Minolta MD adapter, mounting the lens for Nikon adapter requires a counter-clockwise turn until you hear the "click" of the locking mechanism- Tested with a Nikon Micro Nikkor 55m f/2.8 Ai-S MF lens mounted to a Sony a6000 camera

I LOVE this Xenvo iPhone camera lens kit! I sell vintage costume jewelry on Etsy and needed a way to take clear pictures of the teeny-tiny maker's marks on the jewelry. The Xenvo macro lens works perfectly! Further, I was very impressed with the quality of the item as well as the packaging. When you receive this, it is well packaged/protected and it comes with a USB key that you can plug into your computer to quickly and easily register the product and watch helpful how-to videos. It shipped very quickly and I was able to put it to use quickly. Thank you!!

Have had the product a few days and it does the job. I use it for my vintage Nikon 50mm

When I read the news of Canon releasing a new Mark II version of this lens the first thought that came to my mind was why? Has Canon lost its mind? Why would you mess around with a lens that has become a staple of nearly every professional Canon user in the world? Since this lens was released in September of 2001 it has earned a reputation as being one of the most rugged and sharpest lenses of its kind. Professional photographer and photo equipment reviewer Ken Rockwell, for example, borrowed this lens from a friend to test who had dropped it off an elephant to the cobblestones nine feet below while shooting in India. Even with that event in its history Ken gave it a stunningly positive review! Many of the most famous photos taken in the last nine years were taken with this lens, including many of the photos that appear in Canon's own sales brochures. In the lens life cycle, if such a thing exists, this lens is hardly an old timer at nine years old. With its proven powerful robust image stabilizer, legendarily sharpness, and tank-like build, one cannot help wonder what the motivation for fixing something that's not broke is. I think the real motivation was keeping "pace" with Nikon and raising prices.Canon is seen more and more as falling behind its nemesis Nikon. With the recent release of Nikon's VR II vibration reduction which supposedly can work up to four stops, Canon had to fire back with a "new" version of the image stabilizer on its own lenses. Thus IS II was born. Needless to say, the new Nikon 70-200 lens retails for over (...) on Amazon as opposed to this "old" Canon lens which sells for about (...). It's expected that new Canon 70-200 2.8L IS II will retail for at least (...) if not more. Is the new lens really worth (...) more than the old lens still being sold? I own this "old" model now for about six months and the only way I can see improvement is if somehow Canon could recreate this same lens, ruggedness and all, at half the weight. Now that would be something worth paying (...) or more for! In reality, the new model will actually weigh 20 grams more than the "old" model. So much for progress!I have shot indoor and outdoor shots both hand held and with my Bogen automatic mono-pod with this lens. In both cases the results have been nothing short of amazing. Clear sharp images almost every time with magnificent color and superb brokeh (blur quality). The image stabilization is first rate and runs hard and strong. Don't be fooled into saving money buying the other versions of this lens. If you ever expect to be free from using a flash and get great results in reasonable natural lighting, this is the lens to buy. If you can't afford to buy this lens then save up for it. If you compromise you may be sorry later.I believe that any changes Canon has made to the new lens will largely be undetectable by professional and amateur photographers alike. The only exception to this is the added weight, increased price, and the very slight ability of the new model to focus closer (about 8"). It's also hard to see how the current powerful image stabilization could be made much better. At some point it all becomes a matter of subject movement and no stabilization system can deal with that other than using higher shutter speeds. That said, the more important question to ask is whether Canon produced a "better" lens at all? Currently we have no test reviews to look at and it is entirely possible that the new lens may actually under perform this "old model". We just don't know at the moment. For my money I would grab this "old" model while you can. Not only is there hardly any risk, but in all likely-hood the after market value of this lens may soon rise.MY UPDATED COMMENTS: Despite some new positive reviews on the new lens, I still doubt that most will notice much of a difference between the new and the old lenses unless they really blow up the image. The old lens produced images that graced some of the top publications worldwide for the last 10 years with nothing but praise. Canon has effectively fooled you all to push though a huge price increase never before seen for an upgrade of the same type lens. It seems the consumer is once again the victim and they don't even realize it!

One of the best cameras ever made by CANON, the ratio between the sensor size and number of megapixels is the secret for the excellent image quality of this gem. the ergonomics are great, the solid construction is a plus, I'm using my vintage SMC Pentax lenses with an adapter and the image quality is excellent ,high resolution with tons of details,well balance colors, my favorite lens is the 50mm 1.7 f and the 35-75 mm f3.5-4.5 .At the price of $250 there is no better deal for the money , absolutely amazing!! the only cons. that I found is 1- the auto white balance, is not the best option,you have to use the specific mode for each light situation . 2-the resolution on the 3 inch LCD screen is not the best, the images looks a little soft,sometimes you even wonder if you nail the focus....but once you get used to it there is no problem, I thing it will be better if canon keeps the size of the LCD at 2.5 inch or less with 230k resolution ..having said that ,once you download the images on your PC they will rock you!!!Up date : 02-18-2014I found a new lens for this camera the 50mm Super Takumar 1.4f great smooth manual focus..excellent image..the best vintage lens ever made by Pentax. is 42 mount so you have to use an adapter.