I was looking for a very snug portable case so I could put the 28mm pancake lens on my Fuji X-E1 and just toss it into my purse. Effectively turning it into a very very good ultra-portable. This fit the bill perfectly and I imagine it would work for most small mirrorless cameras and while I am using a pancake, there's definitely room for a lense up to a few inches in size.

While it is not a fuji prime in low light the lens stailization works on fuji cameras with or without in body IS works in lower light. Focus is good.Image quality is 95% of fuji more expensive lenses for half the price. For me excellent close focus, nice background blur, is handy in dense woods.

Part 1 - Minolta MD to Sony NEX adapterTechnically, it slightly overshoots infinity but the issue is easily corrected by dialing back the focus ring just a tad --- Not exact but clearly better than not-at-all.Although very light due to extensive aluminum usage, the build quality and fit-and-finish of the adapter is superb. Connections on the lens and camera mount sides are tight and precise --- absolutely, zero slop. The top of the lens release button is flattened making the lens removal process very easy and comfortable.Other notes:- There are no electrical connections so focus and zoom must be done manually on the lens itself- When mounting the lens, turn the adapter clockwise till you hear a "click"- Tested with a Minolta 85mm f/1.7 Rokkor-X MD lens mounted to a Sony a6000 camera-----------------------Part 2 - Nikon Ai to Sony NEX adapterEdit: Based on my positive experience with the Minolta MD adapter, I also purchased the Nikon Ai adapter later.As with the Minolta MD adapter, the Nikon Ai version focuses beyond infinity a tiny bit. Fortunately, the same solution applies - dial back the focus ring and the horizon will become crystal clear. The build quality is impeccable and the finish is smooth and clean of burrs or machine marks. Connections on both sides are taut and precise with zero play.Additional notes for Nikon Ai adapter:- No electrical connections present so focus and zoom must be done manually on the lens.- Unlike the Minolta MD adapter, mounting the lens for Nikon adapter requires a counter-clockwise turn until you hear the "click" of the locking mechanism- Tested with a Nikon Micro Nikkor 55m f/2.8 Ai-S MF lens mounted to a Sony a6000 camera

I do not use these for the UV filter but as a good quality, low cost lens protector. That said:My 1st Tiffen was a 55mm UV Protector I got for the kit lens that came with a Sony a7ii; an FE 28-70. I was so happy with the purchase that I have since purchased three additional Tiffen UV Protection Filters. One is on a Sony E 55-210 I bought used and one is on a Samyang 35mm I bought new. The one I am writing this review for I assume is still on the Sony FE 50mm I bought new but returned and forgot to remove the filter.The point? I treat my lenses, new or used, like I treat a cell phone. That being the phone stays in the box until I have a protective case for them and lenses stay in the box until I have a protective filter to pair them with. And the one I forgot to remove from the returned lens? That is how confident in the Tiffen filters I am. Once I put one on a lens, I never need to think about it again.I have used several brands in several sizes ranging from the cheaper Altura and Polaroid to the mid range Hoya and B & W.Where does Tiffen fit? Well they are no Hoya or B & W but I am no professional photographer. I am an amateur who mostly enjoys street photography when I travel and for my money Tiffen is the best. Yes, you can spend more and get better glass and if you really have reason to worry about ghosting you should look for a higher end lens. That isn't me saying ghosting has been a problem for me. I normally use a lens hood and I think that helps cut down on light reflection. I have noticed some minor issues with it on some shots I have taken in direct bright light conditions but not enough to justify the higher price.I do not stack filters as I haven't had a need to so I can not give an opinion on that topic. I would assume that the risk of ghosting would increase.The short version is this. The Tiffen UV Protection Filter is well made with good quality glass and a metal ring with threading I do not worry will cross thread or strip. They do what I need by protecting my lens. If I was buying a ND or polarizers I might buy a more costly brand but for everyday protection, Tiffen is all I need and the best for my money.Tiffen say it best in their own product description; A small price to pay to protect your investment.

I just bought a new Fuji camera with lens. I now have protection for a very expensive zoom lens with a very inexpensive UV protection lens.Makes sense.

This is flash was purchased to add to my collection of Godox flashes to use with both my Sony A6400 and our newer Fuji X100V Silver digital camera. I bought this because I want a tiny flash that would fit in my jacket pocket for use during a casual street or lower light setting since a full speed light would be too large and bulky to carry around. This flash is small and so easy to bring with my walking setup. It performs well with both my Sony A6400 but has that retro old timer bumpy leather look ontop when using on the Fuji camera.My collection of mostly Godox flash units has afforded me great versatility for both studio and field applications for both my freelance and paid shoots. So at first this was purchased as a toy to match the retro Fuji but the Godox Lux Junior is like travelling back in time to the 35 mm film days.The shoe mount fits well on both cameras and it will eat through the 2 AAA batteries so definitely bring the long lasting rechargeable brands if possible.This type of stationary flash will not allow for the pivot or bounce but neither did those rack of flash bulbs that would explode one by one and then have to dispose when out of flashes. It does produce more lighting than my built in flash.I am used to manual flash operating since my first Godox did not have the intelligent mount that was compatible with the Sony cameras hotshoe. Manual operation is simple and fast with the easy controls on the Lux Jr. An “Auto” function is also offered, but I personally don’t anticipate using that mode often.The back in the days of film and first generation battery flashes spinning circle dial on the back of the camera is an aide to select the best setting to distance. With digital I take advantage of a digital camera’s quick look at the shot and re-adjust flash power or aperture/ISO triangle.The flash is packed in an awesome decorated box with a trifold hinge with magnet inside of the cardboard front lid. A large piece of molded cut out polystyrene protects the flash. It was heartbreaking to dispose of such a nice box but I store the lux Jr with the included crushed velvet black soft bag with an elastic drawstring.

Using this on my Fuji XF 16mm lens - it works perfectly. So well in fact, that I went out and got the ND1000 as well. It feels premium in every way and comes in a nice b=metal case lined with fitted foam. It's double threaded and has nice action on the screwing and unscrewing process. I used this for long exposures in daylight and cutting glare (and even longer exposes) at night.

I like getting this fuji film instead of getting the individual ones.